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April 10, 2012
by Index on Censorship

China cuts nude Kate Winslet from 3D Titanic release

Kate WinsletLike the rest of the world, China’s gone Titanic crazy again. The 3D version of James Cameron’s Titanic hit cinemas here today but Chinese theatre-goers excited about the chance to see Kate Winslet’s nude scene in glorious 3D will be disappointed.

In 1997, Chinese censors left the nude scene intact, but this time around there’s no sign of Winslet’s breasts.

Chinese web users are up in arms. “I didn’t wait 15 years to see a three-dimensional iceberg,” said one microblog user called Cambrian, according the Ministry of Tofu, a blog on China written by a group of Chinese living in the U.S.

It’s hard to understand why Ms Winslet’s breasts were allowed back in 1997 and not in 2012, local media put the elevated prudeness down to the absence of a rating system. However China Daily did hint that it might have had something to do with China’s former president. “In early March 1998, then president Jiang Zemin, known for his passion for the arts, spoke highly of the film in a political meeting and the Chinese media reported his comment,” the English-language daily wrote.

It is a shame that Hu Jintao, the current leader, doesn’t appear enjoy Ms Winslet’s charms as much as his predecessor.

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Posted Under China Dinah Gardner censorship cinema Kate Winslet nudity Titanic

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    More than three decades of economic reform have transformed China into a leading world power. However, its citizens face persistent problems and the government is quick to persecute dissidents, who are perceived as catalysts for social unrest. The censorship apparatus that extends over the vast country of 1.3 billion takes in the media, the internet and the arts.

    Future leaders will have to continue to address a range of issues --- namely social unrest, corruption, health, the economy and diplomacy --- as China’s reform continues.

    I used to work for the Guardian's Beijing bureau until I moved to Danwei.org. A popular English-language website about Chinese media where I’m an editor and translator.

    I also work as a literary translator and have translated poems by Senzi for Copper Canyon Press Chinese anthology. I am currently working on literary translations for Chinese publishing houses.

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    I began my journalism career in Hanoi back in 2000 with research on returned refugees. I swapped bowls of pho for plates of dim sum in Hong Kong a year later, where I worked for CNN and Agence-France Presse.


    Since then I have tracked gibbons in Borneo and met with monks in Burma just after the riots of 2007. I am most interested in the role of women and the power of religion in Asian societies.

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